Semi-antique Arab Shiraki kilim from Iran. 184x179 cms

Semi-antique Shiraki Kilim with Lattice Design and Knotted Detail

This type of kilim is known locally in southern Iran as a “shiraki”, a word that literally means “needle work” — though, interestingly, it is woven on a loom rather than sewn. Due to the limited size of the looms available to most weavers, shiraki kilims were traditionally woven in two separate panels and then meticulously joined to achieve the desired width, a nearly square kilim. In this particular piece, the two halves exhibit very distinct personalities. 

This shiraki kilim features a traditional lattice or grid pattern in the main field—a classic design that has been thoughtfully echoed in two of the main borders. As a unique and original touch, the weaver introduced small knotted squares within the central border, diverging from the flat-weave technique used throughout the rest of the kilim.

This subtle shift in texture not only adds depth and visual interest but also showcases the weaver’s creativity and technical skill.

This antique kilim was woven by an ethnic Arab weaver in southern Iran, carrying the rich textile traditions of the region. The wool used is of outstanding quality — soft, lustrous, and full of life. It remains in perfect condition, including the plaited fringes in one of the ends, a testament to both the craftsmanship and the materials used. All dyes are natural, and the white floral motifs are woven using undyed white cotton, adding delicate contrast and texture to the design.

Material: 100% hand-spun sheep wool

Size: 184×179 cms

Origin: Arab tribe from Iran

Date of weaving: 1950’s 

Arab nomads of Fars Province, Iran, are descended from certain Arab tribes of Najd, Yammaneh and Omman who migrated in the 7th and 8th centuries following the Arab contest (640 A.D.) and the advent of Islam. They speak a corruption of Arabic and Persian.

Althoug Arab nomad piled production encompasses a great and astonishing variety of designs, with field patterns much more varied than other tribes of Fars, the Arab weaver´s adherance to a generally dark and sober palette has denied them the artistic recognition they deserve.