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# Alfombras y kilims Nómada: SINCE 1997

## Sitemaps
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## Posts
- [How to identify prayer rugs and prayer kilims](https://www.nomada.biz/en/how-to-identify-prayer-rugs-and-prayer-kilims/): Antique prayer rugs  and kilims were borne out of a specific purpose for the Islamic faith. However, we favor the hypothesis that the mihrab predates Islam and symbolizes the sacred mountain, a concept present in all mythologies. The various representations of the motif would then be progressive adaptations influenced by contact with new cultures.
- [Earth Day 2026 and antique rugs](https://www.nomada.biz/en/earth-day-2026-and-antique-rugs/): 
- [Woven Stories of Love and Home: Discover dowry rugs](https://www.nomada.biz/en/woven-stories-of-love-and-home-discover-dowry-rugs/): This Valentine’s Day, we celebrate love, care, and tradition woven into every dowry rug.
- [2025 Sustainable Business Award by the Chamber of Commerce](https://www.nomada.biz/en/sustainable-business-award-by-the-chamber-of-commerce-2025/): 2025 Sustainable Business Award by the Chamber of Commerce Nómada began its journey in 1997 in Glasgow, Scotland, founded by Nerea Aguirre as a result of her passion for Central Asia and the Middle East. In 2001, Nerea and her husband, Alistair Baird, returned to Donostia, Nerea’s hometown, and the Nómada project began, currently employing four people. Nómada represents a completely different concept of a rug store, combining the ancient art of rugs and kilims with the latest technological and design tools, always keeping in mind the social and cultural aspects, both in the producing countries and in Gipuzkoa. In their 150-square-meter shop, Nómada understands innovation as staying one step ahead and anticipating — or even creating — trends in a commercial sector that has traditionally been very static. Nómada has more than 1,000 different references on its website; around 80% of its sales come from customers outside Gipuzkoa and Spain, reaching 50 countries across five continents. Sustainability — both social and environmental — runs transversally through all of its projects. For this reason, on the one hand, they purchase vintage and antique rugs, and on the other, they produce rugs with modern and innovative designs, woven mainly in fair-trade workshops in Turkey and Nepal. It is this sustainable philosophy that drives them to move forward and open their doors every day with a smile. Nómada thus presents a sustainable business model in every sense: highlighting its social commitment to disadvantaged groups at risk of exclusion, to whom they offer opportunities for the future; its environmental commitment, using biodegradable materials, reusing, restoring, and creating new products from generated waste; and its efforts to raise awareness and educate its customers from both social and environmental perspectives. At the same time, it remains an innovative business, adapted to the market, having incorporated digital tools into both management and product sales, while maintaining constant creative work in line with market trends and evolution.
- [🧶Exhibition:  Weaving Bullets, Dreaming of Peace. Afghan War Rugs.](https://www.nomada.biz/en/bullets-dreaming-of-peace-afghan-war-rugs/): Exposición de alfombras de guerra de Afganistán. "Tejiendo balas, soñando paz". Una exposición sobre arte, memoria y resistencia civil. Las alfombras de guerra afganas nacen del conflicto. Esta sorprendente forma de arte textil emergió tras la ocupación soviética de Afganistán en 1979 y ha continuado desarrollándose en medio de décadas de violencia, invasiones y tensiones políticas.
- [A happy-ending tale from Turkey](https://www.nomada.biz/en/a-happy-ending-tale-from-turkey/): Back around the year 2000, a passionate Turkish kilim dealer set out on a personal mission. Deeply inspired by the traditional flatweaves from the Obruk region, he began a small-scale production in his village. His vision? To recreate antique Obruk cicim kilims, but with a fresh, contemporary color palette (blue, green, red, yellow, purple).
- [Looking for an oversize area rug and kilim?](https://www.nomada.biz/en/looking-for-an-oversize-area-rug-and-kilim/): Looking for an OVERSIZE rug? I've heard your requests for BIG RUGS, and... here they are! An incredible selection of HUGE vintage and antique rugs and kilims is now available. During my latest trips to Iran and Turkey, I searched high and low to find as many of these unique pieces as possible. It wasn't an easy task, as nomadic women and families in villages didn't have large enough looms to weave XXL sizes. That's why they're so hard to find! It also took me some time to list the oversize rugs to the website because, if sourcing them is difficult... photographing them isn't easy either!
- [Green Friday instead of Black Friday: a time to shop rugs with conscience and heart.](https://www.nomada.biz/en/green-friday-instead-of-black-friday-a-time-to-shop-rugs-with-conscience-and-heart/): A Green Friday to appreciate, reflect and help: 5% of our sales will go to a mobile clinic in Nepal.
- [¿Should I remove my rugs in summer?](https://www.nomada.biz/en/should-i-remove-my-rugs-in-summer/): How will I keep my rugs at home with this heat?
- [Restauration and exhibition of the textile “Homage to Balenciaga” by Eduardo Chillida.](https://www.nomada.biz/en/restauration-and-exhibition-of-the-textile-homage-to-balenciaga-by-eduardo-chillida/): In 1987, Eduardo Chillida painted the textile that we show at Nómada on the occasion of the exhibition that was held at the Miramar Palace, san Sebastian, from November 5, 1987 to January 10, 1988 in tribute to Cristóbal Balenciaga. The painting with the logo was created by Chillida in ink on canvas for and in honor of his friend Balenciaga.
- [Hand woven rugs versus machine made rugs?](https://www.nomada.biz/en/hand-woven-rugs-versus-machine-made-rugs/): While they can be more expensive, their durability and timeless appeal can make them a worthwhile investment, and cheaper in the long term.
- [Trip to Iran and Turkey](https://www.nomada.biz/en/viaje-a-iran-y-turquia/): Looking forward to leting you know about the exciting trip through southern Iran in search of antique and contemporary rugs and kilims that ended in Turkey. Due to the situation in the Middle East I was about to cancel the trip, but those of you who know me already know that... nothing stops me in my search for that unique and special kilim!
- [Winners of the San Sebastian Film Festival shop window competition!](https://www.nomada.biz/en/winners-of-the-san-sebastian-film-festival-shop-window-competition/): We wanted to make this showcase fun and with a sense of humor, but also raising awareness about global warming. Nemo, due to the high temperatures in recent months, has migrated from Australia, its natural habitat, and has been sighted in La Concha Bay, as can be seen in our window.
- [Nomada turns 25 (1997-2022)! 25 years having fun…](https://www.nomada.biz/en/nomada-turns-25-1997-2022-25-years-having-fun/): When you have a good time, time flies, but a quarter of a century has already passed since Nómada began its journey, and we continue with the same enthusiasm and desire to have fun as the first day. Here is a summary of the history of our store:
- [Antique prayer and meditation kilims and rugs exhibition. 7th of November to 6th of December.](https://www.nomada.biz/en/antique-prayer-and-meditation-kilims-and-rugs-exhibition-7th-of-november-to-6th-of-december/): In this exhibition we try to show the enormous variety of antique prayer and meditation rugs and kilims, used in different regions of the world. The following areas and countries are represented: Caucasus, Himalayas, Central Asia, Iran, Turkey and Afghanistan. The rugs has also been used by a variety of ethnic groups, and also by different religious groups such as Alevis, Buddhists, Shias, and Sunnis. The exhibited pieces range from the 19th century to the 1960s.
- [A surprise birthday party with our cushions and kilim](https://www.nomada.biz/en/a-surprise-birthday-party-with-our-cushions-and-kilim/): Johnny wanted to organise a surprise birthday party for her girlfriend Irene. Nekane organised everything and chose a kilim and lots of Nómada cushions. A pretty sunset!
- [NEW IMPORTATION FROM NEPAL](https://www.nomada.biz/en/new-importation-from-nepal-6/): The rugs and kilims we bought in our last trip to Turkey, have just arrived to Nómada. In this new importation you will find antique and vintage rugs and kilim. We find hard to find antique runners, but during this trip we were lucky enough to be able to buy lots, in different lenghts and designs. Amongst the kilims you will find a huge selection of pieces from different regions in different sizes, some with bright colours and others with more neutral colours, but all of them exceptional. We encorage you to come and have a look, they are worth it!
- [A SHOP WINDOW DURING THE SAN SEBASTIAN FILM FESTIVAL](https://www.nomada.biz/en/a-shop-window-during-the-san-sebastian-film-festival/): The shop window we chose for this year's San Sebastian International Film Festival is inspired by Woody Allen's new film "Rifkin's Festival", set in San Sebastian. In the argument of the film, a painting by Goenaga is very important. In our shop window you can see this rug, designed by Goenaga and woven in a Fair Trade workshop in Nepal. The wool is hand-spun and comes from Mustang in the Himalayas.
- [TRIP TO TURKEY, SEPTEMBER 2020](https://www.nomada.biz/en/trip-to-turkey-september-2020/): You know us too well and as there is nothing that stops us, I went with my two girls to Turkey at the end of August and beginning of September. It has been a different trip, with very few people in the streets, but as usual sharing fantastic moments with friends that we know for over 20 years. We bought lots of vintage and antique kilims and rugs, cushions, sacs and lots more. We also met our Afghan refugee friends, and they invited us for lunch to a delicious "Pilav Kabuli". They are an ethnic Turkman family from Northern Afghanistan and we bought lots of neclaces, bracelets, rings, boxes and stones. I doubted until the very last moment wether to go to Turkey or not given the current situation, but in every aspect, it has been one of the best trips of the last few years.
- [Photo shooting in Nómada](https://www.nomada.biz/en/photo-shooting-in-nomada/): During June the photographer Jon Santamaría Cubero took photos of the model Maider Rezabal in Nómada, hope you like them!
- [THE WORKSHOP IN NEPAL DURING CORONAVIRUS](https://www.nomada.biz/en/the-workshop-in-nepal-during-coronavirus/): Nepal has been house confined for 11 days now. A few days before the lock-up, some women who have the loom at home, took some wool to be able to carry on working from home.
- [HOW TO WASH YOUR FAVORITE RUG](https://www.nomada.biz/en/how-to-wash-your-favorite-rug/): Your rug or kilim is a few years old now and you have never washed it? Are you afraid of doing it? In this blog we will explain to you how to do it easily, based on how we saw they do it in Iran and Turkey (they have already done it for centuries).
- [IMPORTATION FROM NEPAL](https://www.nomada.biz/en/importation-from-nepal/): We just received an importation of rugs designed by Alistair Baird just for Nómada. All of them have been woven in a Fair Trade Workshop in Nepal, with soft Himalayan wool. You will find our best selling models but also exicting new designs. We hope you l
- [OFFERS IN PREVIOUS IMPORTATIONS. UNTIL 8TH OF FEBRUARY 2020.](https://www.nomada.biz/en/offers-in-previous-importations-until-8th-of-february-2020/): To make room for the new imports from Afghanistan, Iran and Nepal that we received through 2019, we start the year the best possible way we can think of, with discounts of 50% in previous imorts. Don't miss this fantastic chance in antique rugs and kilims
- [HAPPY CHRISTMAS!](https://www.nomada.biz/en/happy-christmas/): In this year's shop window we have a Mallorcan vintage ladder, originally used to pick up fruit, decorated with hand-woven scarfs with Himalayan wool. We wish you a nice time during the holidays and we hope 2020 is full of love and peace!
- [NEW IMPORTATION FROM IRAN](https://www.nomada.biz/en/new-importation-from-iran-2/): In our last trip to Iran, we found an amazing selection of antique and new rugs and kilims, mainly woven by Qashqai nomads, but also by the Bakhtiari, Lori, Beluch, Kurdish and Shahsevan. We also bought textiles related to the nomadic way of life, like su
- [NÓMADA IN NUEVO ESTILO MAGAZINE](https://www.nomada.biz/en/nomada-in-nuevo-estilo-magazine/): Our Afghan Beluch felt from the 1960s is happy to have been chosen to be in the interior design magazine "Nuevo Estilo", november 2019 issue
- [NEW IMPORTATION FROM NEPAL](https://www.nomada.biz/en/new-importation-from-nepal-5/): New models and our most popular models just arrived from Nepal! This new importation has been designed by us and woven in a Fair Trade workshop in Nepal. The wool is hand spun and comes from the Mustang region of the Himalayas, dyed in the workshop by Tib
- [ELKANO RUG TO CELEBRATE THE 500TH ANIVERSARY OF THE FIRST CIRCUMNAVIGATION OF EARTH](https://www.nomada.biz/en/elkano-rug-to-celebrate-the-500th-aniversary-of-the-first-circumnavigation-of-earth/): To commemorate the 500th anniversary of the first circumnavigation of the world by the Basque sailor Juan Sebastián Elcano, we designed a rug called "Elkano", which has been woven in a Fair Trade Workshop in Nepal. We have chosen to represent this historic event with a contemporary design.
- [NEW IMPORTATION FROM NEPAL!](https://www.nomada.biz/en/new-importation-from-nepal-4/): This new importation has been entirelly designed by us and woven in a Fair Trade Workshop in Nepal. The wool is handspun from the Mustang area in the Himalayas, dyed in the workshop and woven by Tibetan refugees but also by Nepali women. Hope you like them!
- [SUMMER SHOP WINDOW](https://www.nomada.biz/en/summer-shop-window/): A good Scottish friend sent us a map and some pictures her dad took in the Middle East during the Second World War, she thought we could use them somehow in our shop. And yes, they were the inspiration for our summer window! The bike is Basque made in 1938, ideal for riding in the arid desert...
- [KHAM RUG IN MARTIN MAGAZINE](https://www.nomada.biz/en/kham-rug-in-martin-magazine/): Our Tibetan rug "Kham" featured in Martin Magazine, in an article about the Bauhaus look.
- [NEW IMPORTATION FROM NEPAL](https://www.nomada.biz/en/new-importation-from-nepal-3/): Designed in Nómada and woven in a Fair Trade Workshop en Nepal, with the softest Himalayan wool. Do you like our new designs?
- [OFFERS IN PREVIOUS IMPORTATIONS](https://www.nomada.biz/en/offers-in-previous-importations/): 2018 has been a year full of travelling and adventures at Nómada. To make room for all the kilims and rugs we purchased, we have offers in previous importations until the 16th of February. Don´t miss this chance!
- [NEW IMPORTATION FROM AFGHANISTAN](https://www.nomada.biz/en/new-importation-from-afghanistan-2/): We have just received a new importation from Afghanistan full of antique rugs, kilims and felts. They are all tribal pieces, some very complex technically, others of great visual and graphic impact, giving them a contemporary look. We are sure you will love them, so come and have a look!
- [NEW IMPORTATION OF OLD KILIMS FROM TURKEY](https://www.nomada.biz/en/new-importation-of-old-kilims-from-turkey/): The old kilims and cushions we bought in our last trip to Turkey just arrived to Nómada. Big, small, square, rectangular, for the corridor... Surely you find the one for you! Quickly they are flying away...
- [NEW IMPORTATION FROM NEPAL](https://www.nomada.biz/en/new-importation-from-nepal-2/): After months of developing our new designs, finally these wonderful rugs arrived to Nómada! Once we send the designs to a Fair Trade Workshop in Nepal, Tibetan refugees wove them with the best Himalayan wool. We don´t design for other shops, so we can offer you an exclusive rug just from Nómada.
- [San Sebastian International Film Festival](https://www.nomada.biz/en/san-sebastian-international-film-festival/): The San Sebastian International Film Festival is here! For our shop window, we got inspired by Namoi Kawase´s film "Sweet Bean". Do you fancy trying some delicious Dorayakis sitting in our Tibetan rug "Zen" woven in a Fair Trade Workshop with Himalayan wool?
- [AUTUMN-WINTER OPENING HOURS](https://www.nomada.biz/en/autumn-winter-opening-hours/): OUR OPENING HOURS ARE: MONDAY TO SATURDAY 10,30-19,30 HOURS. SUNDAYS CLOSED Our web is open 7 days a week, 24 hours a day, 365 days a year!
- [Another import, this time from Afghanistan!](https://www.nomada.biz/en/another-import-this-time-from-afghanistan/): Amazing importation of antique rugs, felts, kilims and tribal items (sacs, saddlebags, saddle rugs etc.). In Afghanistan, due mainly to the lack of exports over the last decades, you can still find antique Afghan textiles, but also rugs from other regions. We found antique Turkish rugs from the 19th century, kilims from Iraq, and also hard to find textiles.
- [We don’t stop! New importation from Turkey…](https://www.nomada.biz/en/we-dont-stop-new-importation-from-turkey/): We have just received a new importation of vintage kilims from different areas of Turkey, contemporary rugs woven with angora wool and tons of cushions made with old kilims. Do you fancy comming and having a look?
- [NEW IMPORTATION FROM IRAN!](https://www.nomada.biz/en/new-importation-from-iran/): We just received a fantastic importation from Iran,where you can find colourfull kilims but also undyed natural coloured vintage kilims. You can also find a great selection of sacs, cushions, saddlebags, decoration for horses, and an endless choice of items from the nomadic way of life.
- [TRIP TO IRAN!](https://www.nomada.biz/en/trip-to-iran/): We just came back from an amazing trip to Iran where we bought wonderful antique rugs, kilims and tribal items from the nomadic way of life. We also purchased contemporary gabbeh rugs. We bought the pieces mainly in the baazars, but also in the most unexpected places like in a restaurant, in homes, and in a pistacho and potatoes warehouse...They are all sooooo beautiful! Hope you like our rugs as much as we do!
- [NEW IMPORTATION FROM AFGHANISTAN!](https://www.nomada.biz/en/new-importation-from-afghanistan/): In this new importation you will find antique rugs and kilims, and tribal items from the nomadic life like sacs, saddle bags, bags, sleeping rugs and much more. We also received some antique felts with the coolest contemporary designs. See you soon!
- [OFFERS!](https://www.nomada.biz/en/offers/): OFFERS! 2017 has been a year full of travelling and activity in Nómada. To make room for the new importations, from the 8th of January onwards we will have offers in previous importations. Don´t miss this chance!
- [TRIP TO NEPAL!](https://www.nomada.biz/en/trip-to-nepal/): Just arrived from Nepal I write this BLOG still with jet Lag... I visitted the Fair Trade workshop we work with since 2005. Each season Alistair designs new models, we send them to Nepal, and voilá!, in about 4-6 months we have them in the shop. All the wool we use is from the Hilamayan high plateau, hand spun so it retains the lanoline and all its natural properties. And of course, the knotting of the rugs is also by hand.
- [NEW IMPORTATION FROM TURKEY!](https://www.nomada.biz/en/new-importation-from-turkey-2/): This morning we received the kilims we bought in Turkey a month and a half ago. Amongst the vintage and antique kilim you will find runners, kilims used to make bread and much more.
- [Minimal. 20 year aniversary exhibition](https://www.nomada.biz/en/minimal-20-year-aniversary-exhibition/): To celebrate the 20th aniversary of Nómada, we present "minimal" where you can see a selection of antique rugs and kilims with a primitive and minimalist aesthetic.
- [WINTER OPENING HOURS 2017](https://www.nomada.biz/en/winter-opening-hours-2017/): From Monday to Saturday from 10,30 to 19,30hours. CLOSED on Sundays.
- [NEW IMPORTATION FROM NEPAL](https://www.nomada.biz/en/new-importation-from-nepal/): This autumm we haven´t stoped! Yesterday we received a new importation of rugs designed by Alistair and woven in a Fair Trade Workshop in Nepal. Come and have a look, they have turned out very beautiful!

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## Products
- [Semi-antique Baluch rug from Afghanistan. 140X90 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-from-afghanistan-140x90-cms/): A superb semi-antique Baluch rug with a Mother camel and her calf. The mother has been profusely decorated with an elaborate saddle and its rugs. She also has the traditional Baluch camel bands and adorments around the neck. Her face has been woven in a very realistic manner. The baby is behind her mum and it has a single decoration around its neck, perhaps a bell. The border is decorated with plenty of small motifs, to be noted the boteh (paysley motif). This rug is very finelly woven with a high knot density. Some areas of low pile, but in good overall condition.        Material: 100% hand-spun sheep wool Size: 140x90 cms Origin: Baluch tribe, Afghanistan Date of weaving: 1960s   The Baloch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Semi-antique Baluch rug from Iran. 135×70 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-from-iran-135x70-cms/): A charming 1960s Baluch rug that was originally woven as a saddlebag. At some point, the saddlebag was opened out and repurposed as a floor rug, giving this piece a particularly interesting history. The central medallion is quite unusual, featuring a design that resembles a traditional tilework pattern rather than a conventional rug motif. This gives the composition a distinctive architectural quality. The weaving is tight and compact, and the rug still retains one of its original kilim finishes at one end, preserving an important detail of its original construction.   Material: 100% hand-spun sheep wool    Size: 135×70 cms Origin: Baluch tribe from Iran Date of weaving: 1960s   The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Vintage Qashqai rug from Iran. 124×82 cms](https://www.nomada.biz/en/producto/vintage-qashqai-rug-from-iran-124x82-cms/): Everything one might expect to find in a large Qashqai rug is present here, skilfully translated into a wonderfully small scale: a central Qashqai medallion, multiple borders, spandrels, and an abundance of intricate detail. Despite its diminutive size, the weaver has managed to accommodate an extraordinarily rich and complete composition, leaving virtually no part of the rug undecorated. The weaving is necessarily exceptionally tight, with a high knot count that allows such a complex and detailed design to be achieved within such a small format. The result is a remarkable little rug in which the precision of the weaving is every bit as impressive as the design itself.   Material: 100% hand-spun sheep wool Size: 124x82 cms Origin: Qashqai tribe, Iran Date of weaving: 1980s     Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.  
- [Vintage Qashqai gabbeh rug from Iran. 97×63 cms](https://www.nomada.biz/en/producto/vintage-qashqai-gabbeh-rug-from-iran/): At first glance, the succession of borders on this vintage Gabbeh rug might suggest a much larger rug. The scale of the design, however, is wonderfully deceptive: this is in fact a charmingly small piece. The entire rug has been woven with undyed wool, using natural ivory wool for the central field and brown wool for the multiple surrounding borders. Although its overall appearance is deliberately simple, a closer look reveals the surprising richness of these carefully arranged and unusually elaborate borders. Another fascinating detail is the use of black goat hair for both the warp and weft. This is a characteristic feature often associated with rugs woven by nomadic communities or in particularly remote areas, adding an interesting insight into the rug's origins and the circumstances in which it was made.   Material: 100% hand-spun sheep wool and goat hair for warp and weft Size: 97x63 cms Origin: Qashqai tribe, Iran Date of weaving: 1970s   Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.   Gabbeh rugs   Traditionally a sleeping rug, a gabbeh is a hand-woven pile rug of coarse quality characterized by an abstract design that relies upon open fields of color and a playfulness with geometry. This type of rug is popular among the populations of the Zagros Mountains of Iran, including Kurdish, Luri and Qashqai people.The gabbeh is usually woven by women. Gabbeh carpets are much thicker and coarser than other Persian carpets; sometimes they can be as much as one inch or 2.5 cm in depth. In fact, they are more a variety of kilim than carpet. The word “gabbeh” comes from the Persian گبه, meaning raw, natural, uncut. This is a rough and primitive carpet. Gabbeh patterns are of a very basic kind with only a limited number of decorative, mostly rectangular objects, animals and vegetable motives. In a gabbeh usually bright colors, such as yellow and red, are used. Often undyed natural wool is used (brown, beige, black, white etc.). Although large fields of solid color are used in gabbeh designs, the color is variegated (the color varies throughout the rug, with the appearance of differently colored zones).
- [Semi-antique Baluch rug from Iran. 133×67 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-from-iran/): A charming 1960s Baluch rug that was originally woven as a saddlebag. At some point, the saddlebag was opened out and repurposed as a floor rug, giving this piece a particularly interesting history. The central medallion is quite unusual, featuring a design that resembles a traditional tilework pattern rather than a conventional rug motif. This gives the composition a distinctive architectural quality. The weaving is tight and compact, and the rug still retains one of its original kilim finishes at one end, preserving an important detail of its original construction.   Material: 100% hand-spun sheep wool    Size: 133×67 cms Origin: Baluch tribe from Iran Date of weaving: 1960   The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Antique Baluch rug from Afghanistan. 92×66 cms](https://www.nomada.biz/en/producto/antique-baluch-rug-from-afghanistan-92x66-cms/): A delightful semi-antique Turkmen rug of unusually small proportions, yet with a design that belongs to a very different scale. Its bold geometric composition, more commonly seen on larger Afghan rugs, creates an intriguing contrast with the intimate size of this little piece. It is precisely this unexpected combination that gives the rug so much character. The central composition is filled with geometric medallions and smaller angular motifs, arranged in a dense and harmonious pattern. It is easy to imagine the weaver taking inspiration from a much larger rug and skilfully translating its design into this diminutive format. All the dyes are natural. The wool is wonderfully soft and naturally lustrous, with a rich, full pile that has retained its original sheen. Underfoot, it has an exceptionally pleasant and luxurious feel. Its compact size makes it an ideal choice beside a bed, where its soft pile is especially inviting to bare feet first thing in the morning.   Material: 100% hand-spun sheep wool    Size: 92x66 cms Origin: Ersari tribes from Afghanistan Date of weaving: 1940s
- [Semi-antique Baluch rug from Iran. 133×67 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-from-iran-2/): A charming 1960s Baluch rug that was originally woven as a saddlebag. At some point, the saddlebag was opened out and repurposed as a floor rug, giving this piece a particularly interesting history. The central medallion is quite unusual, featuring a design that resembles a traditional tilework pattern rather than a conventional rug motif. This gives the composition a distinctive architectural quality. The weaving is tight and compact, and the rug still retains one of its original kilim finishes at one end, preserving an important detail of its original construction.   Material: 100% hand-spun sheep wool    Size: 133x67 cms Origin: Baluch tribe from Iran Date of weaving: 1960   The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Antique Baluch prayer rug from Afghanistan. 118×83 cms](https://www.nomada.biz/en/producto/antique-baluch-prayer-rug-from-afghanistan/): A superb antique Baluch prayer rug from Afghanistan, featuring an elegant, dark palette of natural dyes, including a deep indigo blue. The field contains two medallions, whose distinctive cross-shaped interior motif is echoed within the Mihrab. On either side of the Mihrab, a pair of schematically rendered trees has been woven. The main border is broad and striking, decorated with a sequence of large serrated leaves that frame the design beautifully. The rug retains mostly full pile, with some areas of medium pile, and remains in very good condition for its age. It also preserves part of its original kilim ends, particularly at the upper end, where traces of the original woven design can still be appreciated.   Material: 100% hand-spun sheep wool Size: 118x83 cms Origin: Baluch tribe, Afghanistan Date of weaving: 1920s     The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.     The Mihrab This word refers to the niche in mosques that indicates the direction of the Kaaba, toward which believers must prostrate themselves. This might suggest that the symbol of the same name is an Islamic creation. Adapted to weaving, it characterizes prayer kilims and rugs, which believers lay out on a clean surface, taking care to orient the pointed end of the mihrab toward Mecca. There are also multi-niche prayer kilims, called saf, intended for collective practices. However, we favor the hypothesis that the mihrab predates Islam and symbolizes the sacred mountain, a concept present in all mythologies. The various representations of the motif would then be progressive adaptations influenced by contact with new cultures.   A Protective Motif with Exorcising Power Inaccessible peaks have always stirred the imagination with their majesty—and, when volcanic, with their activity. Identifying the mihrab with the sacred mountain leads us to classify this motif among protective symbols with exorcising power, as well as among those symbolizing fertility. Yet we cannot rule out the possibility that the mihrab is a product of later beliefs, which would give woven textiles bearing this motif a cultic or religious function. “Symbolique des kilims”, Ahmet Diler  
- [Qashqai rug from Iran. 120×58 cms](https://www.nomada.biz/en/producto/qashqai-rug-from-iran-120x58-cms/): A finely woven new Qashqai rug featuring two large medallions, each containing the traditional emblem of the Qashqai tribe. The field is richly decorated with stylized vegetal and botanical motifs, along with several schematically rendered goats. As a charming detail, the weaver has also included a few remarkably lifelike rabbits, adding a delightful touch of whimsy to the composition. Its size makes it particularly well suited beside a bed or in a short hallway. The rug is exceptionally well constructed, with a high knot count and a dense, tightly woven structure, making it a durable piece designed to last for decades, even in areas with heavy foot traffic.   Material: 100% hand-spun sheep wool Size: 120x58 cms Origin: Qashqai tribe, Iran Date of weaving: New     Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.
- [Semi-antique Turkman Ersari rug from Afghanistan. 88×66 cms](https://www.nomada.biz/en/producto/semi-antique-turkman-ersari-rug-from-afghanistan/): An intriguing semi-antique Turkmen Ersari rug. At first glance, the design—typically associated with much larger rugs—might lead you to believe that this is a substantial piece. In fact, it is a wonderfully tiny rug. Unusually, the weaver chose a design traditionally found on large Ersari rugs and adapted it to this charming little format. The main field is dominated by two exceptionally large güls, occupying almost the entire field. One can imagine the weaver having been inspired by a large Ersari rug she had seen and borrowing its design for this diminutive piece. The wool is exceptionally soft and lustrous, with a full, shiny pile that feels wonderfully luxurious underfoot. Its small size makes it particularly well suited beside a bed, where it can warmly welcome you as you step out of bed barefoot.   Material: 100% hand-spun sheep wool    Size: 88x66 cms Origin: Ersari tribes from Afghanistan Date of weaving: 1940s   Ersari (Turkmen: Ärsary, where Er - brave man, master; sari - light, bright, yellow) are one of the major tribes of the Turkmen people of Central Asia and one of the five major tribes of the country of Turkmenistan. They live mainly in Turkmenistan, Afghanistan and Pakistan.. Regarding their rugs and contrary to the custom of the other Turkmen, the Ersaris have no proper gul, or specific tribal motif. Ersari carpets make more use of yellow than do rugs made by other tribes, and often, in backgrounds, two shades of blue blend or are merged with dark brown in a characteristic fashion.
- [Vintage Qashqai pushti rug from Iran. 110×53 cms](https://www.nomada.biz/en/producto/vintage-qashqai-pushti-rug-from-iran-110x53-cms/): This vintage Qashqai rug was originally woven as a pushti, a small rug traditionally made for use as the front of a cushion. Its design is composed of octagonal motifs, each enclosing an eight-pointed star, arranged against a rich deep-red background. The weaving is notably tight, giving the rug a finely structured and durable character.   Material: 100% hand-spun sheep wool   and cotton warp Size: 110x53 cms Origin: Qashqai tribe from Iran Date of weaving: 1980’s   The term Pushti or Poshti meaning pillow or cushion has its roots in early Persian culture. Pushti or Poshti is a term that refers to small hand-knotted carpets traditionally used as back rests. The covers used to be filled with wool or straw and put on camel saddles for back support. A secondary use was as a cushion. Over time the use as a cushion superseded the original use. These are the small ‘rugs’ that would be taken out and unrolled for a cherished guest to sit on, bringing more luxury and circumstance to the occasion. It is a term used both for urban as well as cottage industry and nomadic examples. The tradition goes back at least to the Safavid period where in certain Persian miniatures the Shah can be seen portrayed sitting on a small square mat, usually on top of another carpet or on a raised dais. A large part of the attraction to the Poshti rugs and part of the reason this may be an unknown genre, is that these rugs were of incredible beauty and craftmanship and therefore, families were reluctant to sell them. They are similar to the Balisht of the Baluch, the yastiks of Turkey or the Napramach of the Uzbeks.
- [Semi-antique Baluch rug from Afghanistan. 237×165 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-from-afghanistan-237x165-cms/): Wow, What a Rug! A semi-antique Baluch rug with a truly wonderful abrash — beautiful and unexpected colour variations running through the main red field. The colours shift gradually from deep red to pink, purple, terracotta, and through every imaginable shade in between. The palette is particularly unusual, with a background that moves between soft pink and purple, punctuated by touches of deep blue. Against this richly shifting, wavy background, the güls seem to float, surrounded by sinuous curves that give the field a wonderful sense of movement. Although the weaver was a Baluch woman, she was inspired by traditional Uzbek güls, interpreting them in her own distinctive way. The result is a wonderfully naïve and charming interpretation of the motif — full of character and spontaneity. And then there is the pile: exceptionally thick, soft and plush, something that is difficult to capture in a photograph. It is the kind of rug that simply invites you to take off your shoes. Perfect for walking barefoot.   Material: 100% hand-spun sheep wool    Size: 237x165 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1940s   The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Semi-antique Baluch rug from Afghanistan. 200×125 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-from-afghanistan-200x125-cms/): A very tightly woven Baluch rug with an unusual navy blue field (and you know how much I love a blue Baluch rug!). Set against this rich blue background are four rectangular cartouches, each divided into four squares. Within each square, the weaver has created a different motif, while the empty spaces around the main designs are filled with small protective symbols believed to ward off the evil eye. The weaver has carried this same protective motif into the border, creating a harmonious composition and reinforcing the rug's symbolic character. The selvages have been reinforced with goat hair, as is traditional in Baluch rugs, adding strength and durability. A finely woven tribal rug, full of character, symbolism, and that wonderfully unusual deep blue with a deep abrash or colour change, that makes it so special.   Material: 100% hand-spun sheep wool    Size: 200x165 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1950s     The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.      
- [Semi-antique Baluch rug from Afghanistan. 232×140 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-from-afghanistan-232x140-cms/): A semi-antique Baluch rug from Afghanistan, woven with exceptionally soft, lustrous wool. The design is composed of paired guls set against an unusual and striking deep blue field, giving the rug a distinctive character. There are a couple of areas with low pile, consistent with age and use, but the rug remains structurally sound and is ready to withstand many more decades of everyday use. The wonderfully soft, naturally glossy wool makes it a pleasure to walk on or sit upon. The selvages have been reinforced with traditional goat hair, a durable finishing detail that reflects the craftsmanship of Baluch weaving traditions. A beautiful tribal rug that combines practicality, warmth, and timeless appeal.   Material: 100% hand-spun sheep wool   and goat hair for selvages Size: 232x140 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1940s     The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.  
- [Semi-antique Turkman rug from Afghanistan. 270×165 cms](https://www.nomada.biz/en/producto/semi-antique-turkman-rug-from-afghanistan-270x165-cms/): A semi-antique Turkman rug from Afghanistan. The main field has been left empty, featuring a terracotta background with beautiful abrash, against which ten guls are arranged in paired rows. The weaver created distinctive squarish guls, each divided into four sections, with an eight-pointed star woven into each quadrant. The spacious, uncluttered field provides a striking contrast to the multiple, richly decorated borders that frame the rug. In several of these borders, the motifs echo the designs found within the guls, creating a harmonious and balanced composition. The rug has a long, luxurious pile, and the wool is exceptionally soft with a natural sheen. Tribal in origin yet refined in appearance, it is an elegant and timeless piece that will complement both traditional and contemporary interiors.   Material: 100% hand-spun sheep wool    Size: 270x165 cms Origin: Turkmen tribes, Afghanistan Date of weaving: 1940s     The turkmenare people who speak a language belonging to the southwestern branch of the Turkic languages. The majority live in Turkmenistan and in neighbouring parts of Central Asia and numbered more than 6 million at the beginning of the 21st century. About one-third of the total population lives in Iran, especially in the north, and another 500,000 live in northeastern and northwestern Afghanistan.  These groups are called the Transcaspian Turkmen. Pockets of Turkmen are found in northern Iraq and Syria. Smaller groups live in central Turkey. The territory of the Turkmen is generally arid. They were by tradition a nomadic pastoral people, living in tent villages and raising sheep, goats, horses, camels, asses, and cattle.
- [Persian gabbeh rug from Iran. 132×82 cms](https://www.nomada.biz/en/producto/persian-gabbeh-rug-from-iran-132x82-cms/): This Persian Gabbeh rug is handwoven from undyed natural wool in a beautiful palette of soft greys, warm beiges, and creamy ivory tones. Rather than blending the different colours evenly, the weaver carefully sorted the wool into separate batches, creating a distinctive speckled effect known in Iran as namak o felfel—literally "salt and pepper." The result is a wonderfully textured surface with subtle depth and movement, celebrating the natural beauty of the wool. Soft, authentic, and timeless, this Gabbeh is a perfect example of the artistry found in traditional Persian tribal weaving. Material: 100% hand-spun sheep wool Size: 132x82 cms Origin: Qashqai tribe, Iran Date of weaving: New   Traditionally a sleeping rug, a gabbeh is a hand-woven pile rug of coarse quality characterized by an abstract design that relies upon open fields of color and a playfulness with geometry. This type of rug is popular among the populations of the Zagros Mountains of Iran, including Kurdish, Luri and Qashqai people.The gabbeh is usually woven by women. Gabbeh carpets are much thicker and coarser than other Persian carpets; sometimes they can be as much as one inch or 2.5 cm in depth. In fact, they are more a variety of kilim than carpet. The word “gabbeh” comes from the Persian گبه, meaning raw, natural, uncut. This is a rough and primitive carpet. Gabbeh patterns are of a very basic kind with only a limited number of decorative, mostly rectangular objects, animals and vegetable motives. In a gabbeh usually bright colors, such as yellow and red, are used. Often undyed natural wool is used (brown, beige, black, white etc.). Although large fields of solid color are used in gabbeh designs, the color is variegated (the color varies throughout the rug, with the appearance of differently colored zones).
- [Persian gabbeh rug from Iran. 139×76 cms](https://www.nomada.biz/en/producto/persian-gabbeh-rug-from-iran-139x76-cms/): This Persian Gabbeh rug is handwoven entirely from undyed natural wool, showcasing the beautiful, organic shades of the fleece, including beige, grey, and cream. The subtle variations in colour create a timeless, understated design that highlights the natural beauty of the materials. The rug features a long, plush pile that is exceptionally soft underfoot, while the high-quality wool has a natural lustre that enhances its warmth and texture. Simple, authentic, and luxurious, this Gabbeh is a perfect choice for adding comfort and effortless elegance to both contemporary and traditional interiors.   Material: 100% hand-spun sheep wool Size: 139x76 cms Origin: Qashqai tribe, Iran Date of weaving: New     Traditionally a sleeping rug, a gabbeh is a hand-woven pile rug of coarse quality characterized by an abstract design that relies upon open fields of color and a playfulness with geometry. This type of rug is popular among the populations of the Zagros Mountains of Iran, including Kurdish, Luri and Qashqai people.The gabbeh is usually woven by women. Gabbeh carpets are much thicker and coarser than other Persian carpets; sometimes they can be as much as one inch or 2.5 cm in depth. In fact, they are more a variety of kilim than carpet. The word “gabbeh” comes from the Persian گبه, meaning raw, natural, uncut. This is a rough and primitive carpet. Gabbeh patterns are of a very basic kind with only a limited number of decorative, mostly rectangular objects, animals and vegetable motives. In a gabbeh usually bright colors, such as yellow and red, are used. Often undyed natural wool is used (brown, beige, black, white etc.). Although large fields of solid color are used in gabbeh designs, the color is variegated (the color varies throughout the rug, with the appearance of differently colored zones).
- [Semi-antique Baluch rug from Afghanistan. 227×155 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-from-afghanistan-227x155-cms/): This semi-antique Baluch rug features a striking and highly unusual navy-blue field, paired with an equally distinctive design. Four oversized, elongated medallion-like motifs dominate the composition, creating a bold and elegant visual impact. The upper two medallions display beautiful abrash—the natural variation in dye that produces subtle colour changes across the blue field. The field is framed by three borders. Two matching borders are woven in natural undyed ivory wool, while the third features a charming tree-and-branch motif, providing an attractive contrast. The brown details throughout the rug are also woven with natural undyed brown wool. The wool is of exceptional quality—soft to the touch, lustrous, and beautifully reflective. Although the pile is lower in some areas, as expected for a rug of this age, the foundation remains strong and structurally sound.      Material: 100% hand-spun sheep wool    Size: 227x155 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1950-60s     The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.  
- [Semi-antique Baluch rug from Afghanistan. 261×128 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-from-afghanistan-261x128-cms/): An exceptional and elegant 1940s Baluch rug. The composition features four large güls set against an open, unadorned field, allowing the design to breathe with a sense of quiet sophistication. The field displays a beautiful abrash—subtle color variations within the same hue—ranging from rich reds and warm terracotta to a distinctive area of soft purple in the upper left. Within each gül, the weaver has intricately rendered delicate three-petaled floral motifs. The intentional use of empty space enhances the rug’s restrained and harmonious aesthetic. Crafted from exceptionally soft, lustrous wool, this piece offers a gentle sheen that is difficult to capture in photographs. Its luxurious texture makes it especially appealing for those who appreciate the comfort of walking barefoot or sitting on the floor.   Material: 100% hand-spun sheep wool    Size: 261×128 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1940s   The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Antique Baluch rug from Afghanistan. 247×125 cms](https://www.nomada.biz/en/producto/antique-baluch-rug-from-afghanistan-247x125-cms/): An antique Baluch rug featuring an exceptional emerald green colour.   This finely woven Baluch rug has a remarkably high knot density, allowing for an intricate and detailed design. The field is decorated with ten güls arranged in pairs. The wool is soft, lustrous, and of outstanding quality. Particularly striking are the rich emerald green and warm ochre-orange tones, which create a beautiful contrast throughout the rug. All dyes are natural, and the piece displays a lovely abrash—the subtle colour variations characteristic of naturally dyed wool. The rug retains its original, elaborately woven kilim ends. Within the striped sections, delicate floral motifs have been woven, showcasing the weaver’s attention to detail. The selvages are reinforced with black goat-hair cords, a traditional feature of the Baluch weavers.   Material: 100% hand-spun sheep wool   and goat hair for the side cords Size: 247x125 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1900s   The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Vintage Baluch rug from Afghanistan. 255×162 cms](https://www.nomada.biz/en/producto/vintage-baluch-rug-from-afghanistan-255x162-cms/): A vintage Baluch rug woven with exceptionally soft, lustrous wool. The wool has a beautiful natural sheen and a luxurious feel underfoot, making this piece especially inviting for barefoot living and relaxed floor seating. The field features an elegant all-over lattice design that extends across the entire surface. Within each section of the lattice, the weaver has repeated a distinctive motif. In contrast, the border introduces a softer, more organic character, decorated with eight-petaled flowers and graceful scrolling leaves. Capturing the remarkable softness and sheen of this rug in photographs is a challenge—the wool truly needs to be experienced in person. If you appreciate rugs with a silky touch, rich texture, and exceptional comfort, this Baluch rug is a wonderful choice.     Material: 100% hand-spun sheep wool    Size: 255x162 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1970s     The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Milano rug from Nepal. 300×225 cms](https://www.nomada.biz/en/producto/milano-rug-from-nepal-300x225-cms/): Milano rug has been designed by Lore Baird and woven in Nepal. Our modern Tibetan rugs are handcrafted in a Fair Trade workshop in Nepal that adheres to the ‘Good Weave’ project. The exceptional Himalayan wool is spun and carded by hand. Unless otherwise stated, all of our modern design rugs are created exclusively for our San Sebastian store. The designs are sent to Nepal, and after a long process of washing, spinning, carding, dyeing and weaving, we present you these beautiful modern rugs. Other sizes are made on request. These luxurious modern wool rugs aspire to be the antiques of the future! All modern Nepali  carpet designs that appear in our online store are the intellectual property of Nómada Carpets.     Material: 100% hand-spun Himalayan sheep wool and allo fiber. 100 knot per square inch Size: 300x225 cms Origin: Nepal Date of weaving: New
- [Antique Baluch kilim from Afghanistan. 297×165 cms](https://www.nomada.biz/en/producto/antique-baluch-kilim-from-afghanistan-297x165-cms/): A beautiful antique Baluch kilim woven with finely hand-spun wool. This exceptionally dark antique kilim is difficult to photograph, and the images do not fully capture the richness of its natural colours or the quality of its craftsmanship, both of which can only be truly appreciated in person. Particularly remarkable is its bluish-green hue, a colour typically found only in older Baluch pieces. The design is composed of broad bands running across the surface of the kilim. Some of these bands have been left plain and unadorned, while others have been meticulously decorated with small, intricate motifs. The very finely spun wool used in the weaving of this kilim allowed the weaver to create exceptionally delicate and detailed patterns. As the weaver had access only to a narrow loom, she achieved the desired width by weaving two separate panels and then carefully joining them together after completion. In very good overall condition, with a few minor repairs professionally executed in keeping with the age of the piece. This piece most likely originates from the Sistan region, an area long associated with the weaving traditions of Baluch tribal groups and renowned for producing finely crafted textiles with rich, natural colours.  Material: 100% hand-spun sheep wool    Size: 297x165 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1880s-1900s     The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Antique Uzbek Labijar kilim from Afghanistan. 317×175 cms](https://www.nomada.biz/en/producto/antique-uzbek-labijar-kilim-from-afghanistan-317x175-cms/): A superb antique Uzbek Labijar kilim with abundant yellow coloration. This kilim shares many of the characteristics of typical Labijar kilims. However, what appears to be a “standard” kilim with Labijar lozenges becomes a beautiful piece in the hands of this weaver. Through a play of color in the lozenges, the otherwise rigid design is transformed into a kilim full of improvisation, movement, and creativity. This lovely Labijar flatweave is entirely woven with natural dyes. The dyes have produced beautiful abrash, or color variations, particularly noticeable in the reddish-pink areas.     Material: 100% hand-spun sheep wool Size: 317x175 cms Origin: Labijar, Afghanistan Date of weaving: 1900s     LABIJAR KILIMS   The Labijar flatweaves have naRrow borders comprising two or three coloured zig-zag patterns completed with wide plain-coloured ends. The selvedges are broad rows of extra-weft reinforcement, often taking in five or six warps reinforced with brown wool and goat hair. Overall, the Labijar kilims are substantially made, with thick wool warps, occasionally twined with horse hair and dense, almost board-like wefts; all the patterning is worked in slitweave ot double-interlock weave.   LABIJAR Labijar means “next to the canal” or “small river.” This well-irrigated area, encompassing four villages near the Darya-e Safid River close to Sherberghan, was deeply influenced by the occupation and colonization of Alexander the Great and the subsequent Seleucid Empire.
- [Semi-antique Baluch Shaffi kilim from Afghanistan. 352×172 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-shaffi-kilim-from-afghanistan-352x172-cms/): A lively example of a 1940-50s Shaffi kilim from Afghanistan, woven by the Serkhat Baluch (Border Baluch) tribal groups living near the Sistan Desert. The design complexity is achieved through delicate linear motifs—predominantly in white—woven across a horizontally banded field, creating a subtle tartan-like effect. The borders echo these same motifs in a vertical arrangement, framing the composition with striking balance and refinement. The colour palette is of a deep red, with an indigo blue colour throughout the weaving. The irregular layout, including a vertical border of small-scale motifs, suggests its original function as a shaffi kilim, traditionally used to cover bedding. Thick and durable in structure, this kilim is ideal for high-traffic areas such as hallways, corridors, or kitchens.   Material: 100% hand-spun sheep’s wool Size: 352×172 cm Origin: Serkhat Baluch tribe, Sistan area, Afghanistan Date of weaving: 1940-50s     Shaffi Kilims The western regions of Baluchistan — stretching through the Chagai province of Pakistan towards Kandahar and the fringes of the Sind Desert — have long been renowned for producing some of the finest nomadic flatweaves. Shaffi kilims are especially prized for their subtle sophistication and finely woven structure. The shaffi are easily recognizable by their very finely woven borders of white wool with rows of tiny motifs running into the plainweave bands of the field. Their colour palette ranges from luminous to earthy tones, traditionally achieved using natural dyes such as madder root reds and warm orange hues created by overdyeing madder with preparations made from pomegranate skins or yoghurt. The finest examples were traditionally used as covers for bedding and clothing stacked at the back of nomadic tents. Shaffi kilims are easily recognised by their finely woven white borders, featuring rows of tiny motifs that extend gracefully into the plainweave bands of the field — a hallmark of their distinctive craftsmanship and tribal identity.
- [Antique Uzbek gudjeri kilim from Afghanistan. 302×160 cms](https://www.nomada.biz/en/producto/antique-uzbek-gudjeri-kilim-from-afghanistan-302x160-cms/): A collectable antique Uzbek gudjeri kilim from Afghanistan woven with extremely finely spun wool. This gadjeri kilim is representative of the very fine detail and wide range of colours used by the Uzbek weavers, including indigo blue and a lovely pistachio green. The stripes of warp-faced patterning demostrate the wide variety of traditional motifs and patterns available to the weaver.   Material: 100% hand-spun sheep wool Size: 302x160 cms Origin: Uzbek tribes, Afghanistan Date of weaving: 1900s     Gudjeri or Ghudjeri kilims The Uzbek Ghudjeri is a textile distinguished by its horizontal bands of tight and ornate patterning. It is produced in various sizes and shapes and made from fine wool. Its structure consists of warp-faced patterning woven in narrow bands, with a varied and vibrant colour palette dominated by strong tones such as red, blue, and yellow. It has no fringe, and the cut ends are either bound with cloth or turned under and stitched to form the selvedge. Traditionally, Uzbek Ghudjeri kilims are made on narrow tripod looms, where very long strips—approximately 8 cm (3") to 23 cm (9") wide—are woven. These strips are densely filled with complex, ancient motifs, then cut into equal lengths and sewn selvedge to selvedge to create textiles of the required dimensions. This time-consuming technique results in highly detailed and finely patterned surfaces. The Uzbeks produce ghudjeri in various communities, particularly in villages west of Mazar-i-Sharif, near Balkh and Aq Chah. The Arabi people from Mazar-i-Sharif also weave ghudjeri, though theirs tend to feature more limited patterns and colours and are often used as small eating cloths or horse blankets. Traditionally, Uzbek Ghudjeris were used as covers and horse blankets, reflecting their durability and practical function in everyday nomadic and rural life.   The Uzbeks These are Turkic people, who are reputed to be of Uigur extraction: the Vigui are, historically, a Mongolian tribe, now absorbed by the surrounding Mongol, Chinese and Tartar populations. In the sixth century the Uigui settled in Kashgaria, Sin-Kiang Province, East Turkestan, as Buddhist monks, but soon after were converted to Christianity by Nestorian missionaries. The Vigur language, still current in Kashgaria, is a very pure and somewhat archaic form of Turki. On the steppes of Central Asia, during the tempestuous years of the fourteenth century, the Uzbeks, at this time a sub-tribe of the Uigui, became political refugees and migrated to West Turkestan, close to the territory occupied by the Turkomen. Under the leadership of Uzbek Khan they abandoned their pagan, shamanistic and Christian beliefs and embraced Islam. Unlike the Turkomen, reputed nomadic plunderers and slave traders, the Uzbeks settled in the Kyzyl Kum Desert, around the great Muslim cultural centre of Bokhara, and in north Afghanistan, where they maintained their independence from Bokhara, Persia and the Russians.
- [Semi-antique Serkhat Baluch Shaffi kilim from Afghanistan. 310×147 cms](https://www.nomada.biz/en/producto/semi-antique-serkhat-baluch-shaffi-kilim-from-afghanistan-310x147-cms/): A superb example of a 1940s Shaffi kilim from Afghanistan, woven by the Serkhat Baluch (Border Baluch) tribal groups living near the Sistan Desert. The design complexity is achieved through delicate linear motifs—predominantly in white—woven across a horizontally banded field, creating a subtle tartan-like effect. The borders echo these same motifs in a vertical arrangement, framing the composition with striking balance and refinement. The colour palette is soft yet distinctive, with an unusual use of green throughout the weaving. The irregular layout, including a vertical border of small-scale motifs, suggests its original function as a shaffi kilim, traditionally used to cover bedding. Thick and durable in structure, this kilim is ideal for high-traffic areas such as hallways, corridors, or kitchens.   Material: 100% hand-spun sheep’s wool Size: 310x147 cm Origin: Serkhat Baluch tribe, Sistan area, Afghanistan Date of weaving: 1940s     Shaffi Kilims The western regions of Baluchistan — stretching through the Chagai province of Pakistan towards Kandahar and the fringes of the Sind Desert — have long been renowned for producing some of the finest nomadic flatweaves. Shaffi kilims are especially prized for their subtle sophistication and finely woven structure. The shaffi are easily recognizable by their very finely woven borders of white wool with rows of tiny motifs running into the plainweave bands of the field. Their colour palette ranges from luminous to earthy tones, traditionally achieved using natural dyes such as madder root reds and warm orange hues created by overdyeing madder with preparations made from pomegranate skins or yoghurt. The finest examples were traditionally used as covers for bedding and clothing stacked at the back of nomadic tents. Shaffi kilims are easily recognised by their finely woven white borders, featuring rows of tiny motifs that extend gracefully into the plainweave bands of the field — a hallmark of their distinctive craftsmanship and tribal identity.
- [Semi-antique kilim from Afghanistan. 338×147 cms](https://www.nomada.biz/en/producto/semi-antique-kilim-from-afghanistan-338x147-cms/): Semi-antique Afghan kilim with an unusually bright colour palette for its origin. The design features lively tones, including an uncommon use of green in Afghan kilims, alongside undyed natural wool in black and white. The red areas show beautiful abrash, creating natural variations in tone. It is worth noting a recurring motif in the central field separating the medallions. It consists of horizontally arranged ears of grain, whose ends are shaped as bird heads. The composition is defined by a narrow main field, framed by a strikingly wide border featuring oversized eight-point stars. Thick and sturdy in structure, this kilim is ideal for high-traffic areas such as kitchens, hallways, or wide corridors. Material: 100% hand-spun sheep wool Size: 338x147 cms Origin: Afghanistan Date of weaving: 1950s    
- [Vintage Baluch kilim from Afghanistan. 299×132 cms](https://www.nomada.biz/en/producto/vintage-baluch-kilim-from-afghanistan-299x132-cms/): A Robust Vintage Baluch Kilim from Afghanistan   This vintage Baluch kilim from Afghanistan is distinguished by its thick, durable construction and practical character. The design is composed of bands of varying widths, each decorated with small repeating motifs. The most colourful band features a striking chevron pattern. Within the green sections of the chevrons, a beautiful abrash can be appreciated, revealing the natural variations in the dyed wool. The composition is framed by a simple, narrow border decorated with a zigzag motif. Woven with a dense and sturdy handle, this kilim combines decorative appeal with exceptional durability. Its thick and solid construction makes it particularly well suited to hallways, living rooms, and other high-traffic areas where both beauty and resilience are required.   Material: 100% hand-spun sheep wool   and achrylic in the purple thread Size: 299x132 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1970s       The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Semi-antique Qashqai kilim from Iran. 230×172 cms](https://www.nomada.biz/en/producto/semi-antique-qashqai-kilim-from-iran-230x172-cms/): A Semi-Antique Qashqai Kilim Combining Multiple Weaving Techniques This semi-antique Qashqai kilim from Iran combines several traditional weaving techniques, including flatweave (kilim), soumak, and knotted pile. The result is a richly textured textile that showcases the technical skill and creativity of its weaver. Against a plain background of undyed natural wool, the weaver created a lively composition filled with bushes, trees, flowers, and geometric motifs. The variety of techniques adds depth and relief to the design, bringing the landscape-like composition to life. Along the outer borders, the Qashqai woman added small pompons, a charming detail that enhances the kilim's handmade character and playful spirit. Full of energy and colour, this joyful kilim evokes a flourishing garden in springtime. A wonderful piece for bringing warmth, character, and a sense of perpetual spring into the home.   Material: 100% hand-spun sheep wool  Size: 230x172 cms Origin: Qashqai tribe, Iran Date of weaving: 1960s   Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.
- [Vintage Canakkale kilim from Turkey. 237×163 cms](https://www.nomada.biz/en/producto/vintage-canakkale-kilim-from-turkey-237x163-cms/): A Vintage Çanakkale Kilim with Cicim Motifs This vintage Çanakkale kilim is woven with alternating bands of undyed brown and ivory wool. The simple striped design highlights the natural colours and texture of the wool. The field is decorated with a variety of small motifs in soft pastel colours, added using the cicim technique. These embroidered details introduce colour and visual interest while preserving the kilim’s simple character. The design is framed by a narrow serrated border motif that runs around the edges.  Combining natural wool, restrained design, and traditional craftsmanship, this vintage Çanakkale kilim is a fine example of Anatolian village weaving.   Material: 100% hand-spun sheep wool Size: 237x163 cms Origin: Canakkale, Turkey Date of weaving: 1970s  
- [Semi-antique Qashqai palas kilim from Iran. 221×165 cms](https://www.nomada.biz/en/producto/semi-antique-qashqai-palas-kilim-from-iran-221x165-cms/): A Minimalist and Elegant Qashqai Palas Kilim This minimalist and elegant Qashqai Palas kilim is a celebration of simplicity and the natural beauty of wool. Nearly free of decorative motifs, it is woven exclusively from undyed wool in soft beige tones. Rather than relying on ornamentation, the design emerges from subtle abrash—natural variations in the color of the wool—which create gentle shifts in tone and texture across the surface. The weaver introduced only a few restrained decorative elements: a single vertical stripe at each end of the kilim, woven in undyed brown wool, and side cords wrapped with navy blue wool. These understated details provide a delicate visual rhythm while preserving the kilim’s serene and minimalist character. Like many nomadic weavings, the kilim was woven in two separate panels and then carefully joined together to achieve the desired width. This traditional construction reflects the practical limitations of the nomadic loom and adds an authentic handmade quality to the piece. Elegant in its restraint, this Palas kilim demonstrates how Qashqai weavers could create beauty through texture, proportion, and natural color alone, resulting in a textile of timeless sophistication.   Material: 100% hand-spun sheep wool Size: 221x165 cms Origin: Qashqai tribe, Iran Date of weaving: 1950s   This kilim is a “palas”, a type of kilim woven to be used as a basis for domestic activities within the nomadic community (drying vegetables, making cheese, etc.). This vintage kilim was hand-woven by a nomadic or village woman, using her own wool spun and carded by hand. Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai.  
- [Qashqai kilim, Iran. 203×151 cms](https://www.nomada.biz/en/producto/kilim-qashqai-iran-203x151-cms/): A newly woven Qashqai kilim made from undyed sheep’s wool. The natural variations in the wool create subtle shifts in tone, known as abrash, which add depth and character to the piece. Its soft, neutral palette makes it an excellent choice for a wide range of interiors and for those looking for a natural, understated textile.   Material: 100% hand-spun sheep wool  Size: 203x151 cms Origin: Qashqai tribe, Iran Date of weaving: New   Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.
- [Qashqai kilim from Iran. 211×144 cms](https://www.nomada.biz/en/producto/qashqai-kilim-from-iran-211x144-cms/): A newly woven Qashqai kilim made from undyed sheep’s wool. The natural variations in the wool create subtle shifts in tone, known as abrash, which add depth and character to the piece. Its soft, neutral palette makes it an excellent choice for a wide range of interiors and for those looking for a natural, understated textile.   Material: 100% hand-spun sheep wool  Size: 211x144 cms Origin: Qashqai tribe, Iran Date of weaving: New   Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.
- [Semi-antique Qashqai palas kilim from Iran. 218×150 cms](https://www.nomada.biz/en/producto/semi-antique-qashqai-palas-kilim-from-iran-218x150-cms/): A remarkably beautiful Qashqai palas kilim whose joyful composition evokes the image of a spring meadow in full bloom. Against a flatwoven background combining natural white cotton and undyed ivory wool, the weaver has scattered a multitude of small, colourful flowers across the field. Arranged in an apparently spontaneous and random manner, these floral motifs create a lively and organic composition that captures the vitality of nature. Interspersed among the flowers are occasional trees, rendered in a simple and stylized form, together with a handful of other small motifs. Their asymmetrical placement enhances the kilim's informal charm and reflects the creative freedom characteristic of tribal weaving traditions. The kilim is bordered on only two sides. This border is divided into a series of simple compartments, each containing variations of the same floral motifs found in the main field. This kilim has some minor staining.  The construction of the piece is equally interesting. To create the wide kilim she needed, the weaver worked on a relatively small loom, weaving two separate panels which were subsequently joined together. This traditional solution provides a fascinating insight into the practical realities of nomadic and tribal textile production.     Material: 100% hand-spun sheep wool and cotton Size: 218x150 cms Origin: Qashqai tribe, Iran Date of weaving: 1960s     Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.
- [Persian lion gabbeh rug, Iran. 207×109 cms](https://www.nomada.biz/en/producto/persian-lion-gabbeh-rug-iran/): A Persian Gabbeh rug featuring an oversized lion that dominates the central field and serves as the principal motif of the composition. At either end of the field, the weaver has included small bushes rendered in a more stylized and schematic manner, creating an interesting contrast with the comparatively naturalistic depiction of the lion. The lion itself is executed with considerable presence and character, its monumental scale emphasizing the symbolic importance of this iconic motif within Persian tribal weaving traditions. The restrained composition, with its generous open field and limited decorative elements, exemplifies the aesthetic simplicity and visual strength for which Gabbeh rugs are celebrated. The palette is equally noteworthy. With the exception of a few red highlights, all colours derive from the natural shades of undyed wool, ranging from soft creams and warm browns to deeper earthy tones. The rug has been woven with a relatively high knot density for a Gabbeh, allowing for greater precision in the rendering of the lion and contributing to the overall quality and durability of the piece.     Material: 100% hand-spun sheep wool Size: 207x109 cms Origin: Qashqai tribe, Irán Date of weaving: New     Traditionally a sleeping rug, a gabbeh is a hand-woven pile rug of coarse quality characterized by an abstract design that relies upon open fields of color and a playfulness with geometry. This type of rug is popular among the populations of the Zagros Mountains of Iran, including Kurdish, Luri and Qashqai people.The gabbeh is usually woven by women. Gabbeh carpets are much thicker and coarser than other Persian carpets; sometimes they can be as much as one inch or 2.5 cm in depth. In fact, they are more a variety of kilim than carpet. The word “gabbeh” comes from the Persian گبه, meaning raw, natural, uncut. This is a rough and primitive carpet. Gabbeh patterns are of a very basic kind with only a limited number of decorative, mostly rectangular objects, animals and vegetable motives. In a gabbeh usually bright colors, such as yellow and red, are used. Often undyed natural wool is used (brown, beige, black, white etc.). Although large fields of solid color are used in gabbeh designs, the color is variegated (the color varies throughout the rug, with the appearance of differently colored zones).
- [Semi-antique Baluch rug with tigers and lions. 201×91 cms](https://www.nomada.biz/en/producto/semi-antique-baluch-rug-with-tigers-and-lions-201x91-cms/): An exceptionally rare Baluch rug featuring a unique and highly unusual iconography. Its design incorporates tigers, lions, dromedaries, caravaners, and the inscription “Made in Afghanistan” woven both in English and in Dari/Persian. The borders and central medallion remain faithful to traditional Baluch aesthetics, displaying the geometric and floral motifs typically associated with this weaving tradition. Beyond these elements, however, the rug departs dramatically from convention. The weaver has combined a classic Baluch framework with a remarkable narrative composition that includes two pairs of lions and tigers, an additional pair of tigers, and two groups of dromedaries, each accompanied by caravaners dressed in colours that echo the rug’s palette. A particularly charming detail reveals the weaver's playful engagement with the composition. In several instances, the ears of the tigers and the muzzle of a dromedary extend beyond the boundaries of the main field and intrude into the surrounding border. The most striking features are undoubtedly the lions and tigers themselves. Unlike the stylized floral motifs surrounding them, these animals are rendered with an unusual degree of realism. Their expressive faces immediately capture attention: the lion, with its jaws wide open, appears poised for action, while the tiger’s feline gaze and spotted coat are depicted with extraordinary character and detail. In comparison, the caravaners are portrayed in a more simplified manner, making the animals the undisputed focal point of the composition. In addition to the “Made in Afghanistan” inscription, several shorter woven words appear throughout the field, further enhancing the rug’s enigmatic and collectible nature. This is truly a one-of-a-kind piece—a conversation starter that will fascinate guests and collectors alike. Rich in symbolism, artistry, and cultural intrigue, it is a remarkable example of the creativity and individuality that can occasionally emerge within the Baluch weaving tradition. The exceptional degree of detail achieved throughout the composition—most notably in the naturalistic rendering of the lions and tigers, as well as in the woven inscriptions—was made possible by a relatively high knot density for a Baluch weaving. This technical refinement enabled the weaver to execute complex figural forms and subtle facial expressions with a precision seldom encountered in the Baluch tradition, further enhancing the rug's artistic and ethnographic significance.     Material: 100% hand-spun sheep wool   and goat´s wool in the sidecords Size: 201x91 cms Origin: Baluch tribe from Afghanistan Date of weaving: 1940-50s     The Beluch or Baluch are an Iranian people who live mainly in the Balochistan region, located at the southeasternmost edge of the Iranian plateau, encompassing the countries of Pakistan, Iran and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in India, Turkmenistan and the Arabian Peninsula.
- [Vintage Qashai palas kilim from Iran. 219×146 cms](https://www.nomada.biz/en/producto/vintage-qashai-palas-kilim-from-iran-219x146-cms/): A minimalist vintage Qashqai palas kilim made from light, natural white wool. The design is simple, with a few very subtle vertical stripes. Woven on a narrow loom, it was made in two separate panels and later joined to reach the full width, following traditional weaving methods. A good choice if you’re looking for a clean, calm look in your home.   Material: 100% hand-spun sheep wool    Size: 219x146 cms Origin: Qashqai tribe, Iran Date of weaving: 1980s   This kilim is a “palas”, a type of kilim woven to be used as a basis for domestic activities within the nomadic community (drying vegetables, making cheese, etc.). This vintage kilim was hand-woven by a nomadic or village woman, using her own wool spun and carded by hand.
- [Semi-antique Qashqai palas kilim from Irán. 207×163 cms](https://www.nomada.biz/en/producto/semi-antique-qashqai-palas-kilim-from-iran-207x163-cms/): A beautiful, minimalist vintage Qashqai palas kilim featuring delicate, natural tonal variations. The weaver used only undyed wool, carefully sorting the fibers by their natural shades to create subtle shifts in color throughout the piece. Likely crafted by a nomadic artisan on a small loom, the kilim was woven in two narrow panels and later joined to achieve its full width. One end still retains its original plaited finish, adding to its authenticity and charm.   Material: 100% hand-spun sheep wool Size: 207x163 cms Origin: Qashqai tribe, Iran Date of weaving: 1960s     This kilim is a “palas”, a type of kilim woven to be used as a basis for domestic activities within the nomadic community (drying vegetables, making cheese, etc.). This vintage kilim was hand-woven by a nomadic or village woman, using her own wool spun and carded by hand.   Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.  
- [Qashqai kilim from Iran. 206×153 cms](https://www.nomada.biz/en/producto/qashqai-kilim-from-iran-206x153-cms/): A newly woven Qashqai kilim made from undyed sheep’s wool. The natural variations in the wool create subtle shifts in tone, known as abrash, which add depth and character to the piece. Its soft, neutral palette makes it an excellent choice for a wide range of interiors and for those looking for a natural, understated textile.   Material: 100% hand-spun sheep wool  Size: 206×153 cms Origin: Qashqai tribe, Iran Date of weaving: New   Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.
- [Persian kilim from Iran. 206×149 cms](https://www.nomada.biz/en/producto/persian-kilim-from-iran-206x149-cms/): A newly woven Qashqai kilim made from undyed sheep’s wool. The natural variations in the wool create subtle shifts in tone, known as abrash, which add depth and character to the piece. Its soft, neutral palette makes it an excellent choice for a wide range of interiors and for those looking for a natural, understated textile.   Material: 100% hand-spun sheep wool  Size: 206x149 cms Origin: Qashqai tribe, Iran Date of weaving: New   Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.
- [Qashqai kilim from Iran. 202×158 cms](https://www.nomada.biz/en/producto/qashqai-kilim-from-iran-202x158-cms/): A newly woven Qashqai kilim made from undyed sheep’s wool. The natural variations in the wool create subtle shifts in tone, known as abrash, which add depth and character to the piece. Its soft, neutral palette makes it an excellent choice for a wide range of interiors and for those looking for a natural, understated textile.   Material: 100% hand-spun sheep wool  Size: 202×158 cms Origin: Qashqai tribe, Iran Date of weaving: New   Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.
- [Semi-antique Qashqai palas kilim from Iran. 210×110 cms](https://www.nomada.biz/en/producto/semi-antique-qashqai-palas-kilim-from-iran-210x110-cms/): If you are looking for a fun Qashqai palas kilim, look no further. The weaver chose a simple background in undyed colours (ivory and brown), against which she created an explosion of colour and texture. She added floral motifs with long, elaborate pompoms emerging from them, along with scattered decorative bands arranged in an irregular pattern. The original use of this palas kilim was most likely to cover and protect stacked kilims inside a tent, with the pompoms designed to hang down and be seen by the people living in and visiting the tent. This palas kilim still has the original plaited fringes intact, like the day the kilim came out of the loom.  This unusual palas kilim would also work well as a wall hanging.     Material: 100% hand-spun sheep wool Size: 210x110  cms Origin: Qashqai tribe, Iran Date of weaving: 1960s   Turkic-speaking pastoral nomadic tribal groups began entering central and southern Iran during the eleventh and twelfth centuries. The Qashqai, as a large tribal unit, dates back at least to the early eighteenth century, when some Turkish(Turki)-speaking tribal groups in the region existed under the name Qashqai. Qashqai kilims are best known for their boldness and freedom in the way the pattern is drawn. An aesthetically pleasing geometry, the fineness of their wool and their clear, strong colours combine to ensure their reputation as superlative examples.
- [Qashqai kilim from Iran. 204×158 cms](https://www.nomada.biz/en/producto/qashqai-kilim-from-iran-204x158-cms/): A newly woven Qashqai kilim made from undyed sheep's wool. The natural variations in the wool create subtle shifts in tone, known as abrash, which add depth and character to the piece. Its soft, neutral palette makes it an excellent choice for a wide range of interiors and for those looking for a natural, understated textile.   Material: 100% hand-spun sheep wool  Size: 204x158 cms Origin: Qashqai tribe, Iran Date of weaving: New
- [Semi-antique Qashqai palas kilim from Iran. 185×146 cms](https://www.nomada.biz/en/producto/semi-antique-qashqai-palas-kilim-from-iran-185x146-cms/): This semi-antique Qashqai palas kilim from Iran combines natural undyed wool with wool dyed using natural dyes. The white areas are woven in natural cotton. The weaver added a personal touch by incorporating a few small pieces of fabric into the textile. As she only had access to a narrow loom, the kilim was woven in two separate panels and later joined together to achieve the desired width. This piece is a good example of traditional Qashqai weaving, reflecting both the materials available to the weaver and the practical solutions used in nomadic textile production.   Material: 100% hand-spun sheep wool and cotton (for the white areas) Size: 185x146  cms Origin: Qashqai tribe, Iran Date of weaving: 1950s   This kilim is a “palas”, a type of kilim woven to be used as a basis for domestic activities within the nomadic community (drying vegetables, making cheese, etc.). This vintage kilim was hand-woven by a nomadic or village woman, using her own wool spun and carded by hand.
- [Semi-antique Fetek rug from Turkey. 237×121 cms](https://www.nomada.biz/en/producto/semi-antique-fetek-rug-from-turkey-237x121-cms/): A semi-antique Fetek rug distinguished by an exceptional palette of aubergine, turquoise, and purple tones. Its composition is dominated by an elaborate oversized central medallion that fills the entire field, set against a rich burgundy background. The four deep-toned spandrels each feature delicately woven shrubs in the corners. At both ends, decorative cartouches adorned with plant motifs rest on a striking turquoise ground, evocative of flowing water. The borders are framed with large-scale floral motifs. With its rare colour combination and expressive design, this rug would suit a bohemian-inspired interior beautifully, while also making a captivating focal point in a minimalist space, bringing warmth, depth, and a vibrant touch of colour. Material: 100% hand-spun sheep wool. Cotton wefts Size: 237x121 cms Origin: Fetek, Turkey Date of weaving: 1960s   Fertek (often searched as Fetek) is a historically rich, rural settlement located in the Niğde province of central Turkey. Tracing its roots back to the 3rd century, the area has evolved from a traditional agricultural village into an official district of Niğde.
- [Vintage rug from Iran. 386×290 cms](https://www.nomada.biz/en/producto/vintage-rug-from-iran-386x290-cms/): A neutral-toned vintage rug from Iran, ideal for interiors seeking a subtle patterned piece that adds understated character. Material: 100% hand-spun sheep wool. Warp and weft cotton Size: 386x290 cms Origin: Irán Date of weaving: 1970s   Overdyeing is a thoughtful process of renewal that gives faded or time-worn rugs a new visual life. Rather than discarding older pieces, they are transformed into something fresh and relevant, allowing their history to remain present in a new form. In our collection, traditional craftsmanship meets a contemporary colour sensibility. Skilled artisans carefully rework vintage handwoven rugs, applying dye in a way that unifies the surface and creates a more modern, tonal palette while respecting the original structure of the weave. Each overdyed rug begins as a handmade, often antique piece that has naturally softened with age. Through the dyeing process, its colours are partially muted and then reintroduced in a more cohesive layer, resulting in a stronger, more balanced visual effect. Importantly, the foundation of the rug is never lost—its weave, texture, and underlying pattern continue to shape the final result. Subtle traces of the original design often remain visible beneath the new colour, whether in the form of faint medallions, floral elements, or geometric outlines. These ghosted details give each rug depth and individuality, making every piece unique. Overdyed rugs appeal to those who appreciate the authenticity of handmade textiles but are drawn to a cleaner, more contemporary aesthetic. They bridge past and present in a way that feels both respectful and current. The result is not a replacement of the original rug, but a reinvention—where history is preserved beneath a new layer of colour, and each piece gains a second life with renewed presence.
- [Vintage rug from Iran. 384×292 cms](https://www.nomada.biz/en/producto/vintage-rug-from-iran-384x292-cms/): A vintage Iranian rug featuring an intricate central medallion and richly detailed borders, echoing the grandeur of Persian architecture. A piece that evokes the atmosphere and elegance of the Orient, transporting you into a world of timeless design and craftsmanship.   Material: 100% hand-spun sheep wool. Warp and weft cotton Size: 384x292 cms Origin: Irán Date of weaving: 1970s   Overdyeing is a thoughtful process of renewal that gives faded or time-worn rugs a new visual life. Rather than discarding older pieces, they are transformed into something fresh and relevant, allowing their history to remain present in a new form. In our collection, traditional craftsmanship meets a contemporary colour sensibility. Skilled artisans carefully rework vintage handwoven rugs, applying dye in a way that unifies the surface and creates a more modern, tonal palette while respecting the original structure of the weave. Each overdyed rug begins as a handmade, often antique piece that has naturally softened with age. Through the dyeing process, its colours are partially muted and then reintroduced in a more cohesive layer, resulting in a stronger, more balanced visual effect. Importantly, the foundation of the rug is never lost—its weave, texture, and underlying pattern continue to shape the final result. Subtle traces of the original design often remain visible beneath the new colour, whether in the form of faint medallions, floral elements, or geometric outlines. These ghosted details give each rug depth and individuality, making every piece unique. Overdyed rugs appeal to those who appreciate the authenticity of handmade textiles but are drawn to a cleaner, more contemporary aesthetic. They bridge past and present in a way that feels both respectful and current. The result is not a replacement of the original rug, but a reinvention—where history is preserved beneath a new layer of colour, and each piece gains a second life with renewed presence.
- [Vintage rug from Iran. 370×282 cms](https://www.nomada.biz/en/producto/vintage-rug-from-iran-370x282-cms/): A vintage Persian rug with a salmon coloured large medallion set against a brown background. The muted and warm colours are highlighted by touches of turquoise blue here and there.    Material: 100% hand-spun sheep wool. Warp and weft cotton Size: 370x282 cms Origin: Irán Date of weaving: 1970s   Overdyeing is a thoughtful process of renewal that gives faded or time-worn rugs a new visual life. Rather than discarding older pieces, they are transformed into something fresh and relevant, allowing their history to remain present in a new form. In our collection, traditional craftsmanship meets a contemporary colour sensibility. Skilled artisans carefully rework vintage handwoven rugs, applying dye in a way that unifies the surface and creates a more modern, tonal palette while respecting the original structure of the weave. Each overdyed rug begins as a handmade, often antique piece that has naturally softened with age. Through the dyeing process, its colours are partially muted and then reintroduced in a more cohesive layer, resulting in a stronger, more balanced visual effect. Importantly, the foundation of the rug is never lost—its weave, texture, and underlying pattern continue to shape the final result. Subtle traces of the original design often remain visible beneath the new colour, whether in the form of faint medallions, floral elements, or geometric outlines. These ghosted details give each rug depth and individuality, making every piece unique. Overdyed rugs appeal to those who appreciate the authenticity of handmade textiles but are drawn to a cleaner, more contemporary aesthetic. They bridge past and present in a way that feels both respectful and current. The result is not a replacement of the original rug, but a reinvention—where history is preserved beneath a new layer of colour, and each piece gains a second life with renewed presence.
- [Vintage rug from Iran. 376×298 cms](https://www.nomada.biz/en/producto/vintage-rug-from-iran-376x298-cms/): An upcycled and overdyed vintage rug with a big central medallion surrounded by curvy and sinuous floral motifs and palmettes in the borders.     Material: 100% hand-spun sheep wool. Warp and weft cotton Size: 376x298 cms Origin: Irán Date of weaving: 1970s   Overdyeing is a thoughtful process of renewal that gives faded or time-worn rugs a new visual life. Rather than discarding older pieces, they are transformed into something fresh and relevant, allowing their history to remain present in a new form. In our collection, traditional craftsmanship meets a contemporary colour sensibility. Skilled artisans carefully rework vintage handwoven rugs, applying dye in a way that unifies the surface and creates a more modern, tonal palette while respecting the original structure of the weave. Each overdyed rug begins as a handmade, often antique piece that has naturally softened with age. Through the dyeing process, its colours are partially muted and then reintroduced in a more cohesive layer, resulting in a stronger, more balanced visual effect. Importantly, the foundation of the rug is never lost—its weave, texture, and underlying pattern continue to shape the final result. Subtle traces of the original design often remain visible beneath the new colour, whether in the form of faint medallions, floral elements, or geometric outlines. These ghosted details give each rug depth and individuality, making every piece unique. Overdyed rugs appeal to those who appreciate the authenticity of handmade textiles but are drawn to a cleaner, more contemporary aesthetic. They bridge past and present in a way that feels both respectful and current. The result is not a replacement of the original rug, but a reinvention—where history is preserved beneath a new layer of colour, and each piece gains a second life with renewed presence.

## Proyectos
- [Antique collector´s Qashqai rug, Tyresö, Sweden](https://www.nomada.biz/en/proyectos/antique-collectors-qashqai-rug-tyreso-sweden/):    
- [Rug from Nepal designed by the esculptor Anda. San Sebastián](https://www.nomada.biz/en/proyectos/rug-from-nepal-designed-by-the-esculptor-anda-san-sebastian/): A rug designed by the Basque sculptor José Ramón Anda, and woven in a Fair Trade workshop in Nepal, looks this good in this home in San Sebastián.
- [Nepal Rug designed by José Ramón Anda, San Sebastián](https://www.nomada.biz/en/proyectos/nepal-rug-designed-by-jose-ramon-anda/): A  rug designed by the esculptor José Ramón Anda and woven in a Fair Trade workshop in Nepal looks this good in a flat in San Sebastián. "Lur" thinks that the Tibetan hand spun wool from the Tibetan High Plateau is lovely on his skin.
- [Vintage Obruk kilim. Palma de Mallorca](https://www.nomada.biz/en/proyectos/vintage-obruk-kilim-palma-de-mallorca/): A vintage Obruk kilim for this colourful home in Palma de Mallorca.
- [Persian Qashqai sofreh. Hendaye, France](https://www.nomada.biz/en/proyectos/persian-qashqai-sofreh-hendaye-france/): A 1950s Persian Qashqai sofreh or kilim in which to make bread, to decorate this cool desk area. Hendaye, France
- [Vintage Baluch felt in Hendaye, France.](https://www.nomada.biz/en/proyectos/vintage-baluch-felt-in-hendaye-france/):  
- [Antique Sistan kilim. Getxo, Bizkaia](https://www.nomada.biz/en/proyectos/antique-sistan-kilim-getxo-bizkaia/): Saskia is very happy with the antique Sistan kilim she bought for her owner!
- [Vintage Qashqai kilim in Zaragoza](https://www.nomada.biz/en/proyectos/vintage-qashqai-kilim-in-zaragoza/)
- [Baluch felt in Poland](https://www.nomada.biz/en/proyectos/baluch-felt-in-poland/)
- [Antique Balisht in Finland](https://www.nomada.biz/en/proyectos/antique-balisht-in-finland-with-ryijy/): 🧡We love receiving picture of our rugs in your home, in this case, an antique Balisht (pillow) woven by a Baluch nomad from Afghanistan. . I was particularly touched by the beautiful text that the client accompanied the picture with, more relevant than ever given the turbulents events the world is facing:
- [Persian gabbeh in Kent, UK](https://www.nomada.biz/en/proyectos/persian-gabbeh-in-kent-uk/): A Persian gabbeh in the house of an artist in Kent, UK
- [A headboard with a vintage kilim. San Sebastian](https://www.nomada.biz/en/proyectos/a-headboard-with-a-vintage-kilim-san-sebastian/): A vintage turkish kilim has been used to make a cool headboard.
- [Kham rug from Nepal. Virginia, USA](https://www.nomada.biz/en/proyectos/kham-rug-from-nepal-virginia-usa/)
- [Antique Kamseh rug, Sweden](https://www.nomada.biz/en/proyectos/antique-kamseh-rug-sweden/)
- [Semi-antique Arab kilim. Holland](https://www.nomada.biz/en/proyectos/semi-antique-arab-kilim-holland/)
- [“Composition 1” rug woven in Nepal. Paris, France](https://www.nomada.biz/en/proyectos/composition-1-rug-woven-in-nepal-paris-france/)
- [Antique Luri kilim in Austria](https://www.nomada.biz/en/proyectos/antique-luri-kilim-in-austria/)
- [“Zurriola” rug in Gulf of Naples, Italy](https://www.nomada.biz/en/proyectos/zurriola-rug-in-gulf-of-naples-italy/)
- [Antique Mut kilim and Baluch rug. Frankfort, Germany](https://www.nomada.biz/en/proyectos/antique-mut-kilim-and-baluch-rug-frankfort-germany/)
- [Vintage Qashqai and Herkki kilims. Frankfort, Germany](https://www.nomada.biz/en/proyectos/vintage-qashqai-and-herkki-kilims-frankfort-germany/)
- [Antique Yomut kilim. Frosinoni, Italy.](https://www.nomada.biz/en/proyectos/antique-yomut-kilim-frosinoni-italy/)
- [“Alhambra” rug designed by Alistair Baird. San Sebastián, Spain](https://www.nomada.biz/en/proyectos/40889/)
- [Vintage Denizli kilim. Brussels, Belgium](https://www.nomada.biz/en/proyectos/40886/)
- [“Gernika” rug designed by Koldobika Jauregi. Edinburgh, Scotland](https://www.nomada.biz/en/proyectos/40514/)
- [Qashqai kilim. Sopelana, Basque Country](https://www.nomada.biz/en/proyectos/40510/)
- [“Mosaic” rug from Nepal. Santiago, Chile](https://www.nomada.biz/en/proyectos/39712/)
- [Antique Baluch rug. Toulon, France.](https://www.nomada.biz/en/proyectos/39697/)
- [Vintage Qashqai kilim. Pamplona, Navarra](https://www.nomada.biz/en/proyectos/39648/)
- [Vintage Qashqai kilim. Pamplona, Basque Country](https://www.nomada.biz/en/proyectos/39642/)
- [Antique Malayer rug. Albaicin, Granada](https://www.nomada.biz/en/proyectos/39611/)
- [“Without title”, rug designed by María Chillida. San Sebastian, Basque Country](https://www.nomada.biz/en/proyectos/39607/)
- [Semi-antique Qashqai kilim. New York, USA](https://www.nomada.biz/en/proyectos/39603/)
- [Vintage Herkki Kurdish kilim. Granada, Spain](https://www.nomada.biz/en/proyectos/39599/)
- [“Kham” rug. Hakone Tree House. Japan](https://www.nomada.biz/en/proyectos/39593/)
- [Semi-antique Karapinar kilim. Granada, Spain](https://www.nomada.biz/en/proyectos/39576/)
- [“Zurriola” rug designed by Alistair Baird. San Sebastián, Basque Country](https://www.nomada.biz/en/proyectos/39570/)
- [Semi-antique Goçmen kilim. Granada, Spain](https://www.nomada.biz/en/proyectos/39567/)
- [“Tao” rug designed by Alistair Baird. San Sebastian, Basque Country](https://www.nomada.biz/en/proyectos/39312/)
- [Semi-antique Baluch rug. San Sebastian, Basque Country](https://www.nomada.biz/en/proyectos/39308/)
- [“Zen” rug designed by Alistair Baird. San Sebastián, Basque Country](https://www.nomada.biz/en/proyectos/39305/)
- [Persian gabbeh. San Sebastián, Basque Country](https://www.nomada.biz/en/proyectos/39203/)
- [Vintage Herkki runner. Frankfort, Germany](https://www.nomada.biz/en/proyectos/39188/)
- [Antique Baluch rug. Frankfort, Germany](https://www.nomada.biz/en/proyectos/39183/)
- [Vintage Qashqai kilim. Oñati, Basque Country](https://www.nomada.biz/en/proyectos/39177/)
- [Vintage Tavas kilim. Granada, Spain](https://www.nomada.biz/en/proyectos/39174/)
- [Semi-antique Qashqai rug. Granada, Spain](https://www.nomada.biz/en/proyectos/39171/)
- [Vintage Barak kilim in France](https://www.nomada.biz/en/proyectos/vintage-barak-kilim-in-france/)
- [Vintage Herkki runner, Irak. Brookline, Massachussets.](https://www.nomada.biz/en/proyectos/vintage-herkki-runner-irak-brookline-massachussets/)
- [“Pangden” rug woven in a Fair Trade workshop in Nepal. San Sebastian](https://www.nomada.biz/en/proyectos/pangden-rug-woven-in-a-fair-trade-workshop-in-nepal-san-sebastian/)
- [Antique Persian Arab rug. San Sebastian](https://www.nomada.biz/en/proyectos/antique-persian-arab-rug-san-sebastian/)

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